Electric Violin in Digital Space – kritisk refleksjon

Kritisk refleksjon over kunstnerisk utviklingsarbeid. Stipendiatprogrammet for kunstnerisk utviklingsarbeid ved Norges musikkhøgskole, Oslo 2011

Prosjektet “Electric violin in Digital space” bestod av fire hovedemner, og hvert område har sine spesifikke problemstillinger:

  1. Utforskning av kunstnerisk potensiale i el‐fiolinen
  2. Kunstnerisk bruk av musikkteknologi, særlig arbeid med elektronisk lydbehandling og live styring
  3. Utvidelse av utøverrollen med vekt på medskapning
  4. Formidling og utvidelse av konsertformatet

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Creative Violin

This was the blog for Victoria Johnson, when she was a research fellow within the Norwegian Research Fellowship for the Arts Programme at the Norwegian Academy of Music (NMH) 2007-2010.

Project: Electric violin in digital space

The name of the project is Electric violin in digital space, exploring how to develop a new digital space where the electric violin meets electronics, video and light.

The research focused on development of new repertoire and improvisations, and extension of the sound palette for electric violin. I experimented with different concert forms, spaces and venues. I also did research on different software and controllers.

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A video based analysis system for realtime control of concatenative sound synthesis and spatialisation

By Alexander Refsum Jensenius (Department of Musicology, University of Oslo) & Victoria Johnson (Norwegian Academy of Music)

Abstract

We report on the development of a video based analysis system that controls concatenative sound synthesis and sound spatialisation in realtime during concerts.

The system has been used in several performances, most recently Transformation for electric violin and live electronics, where the performer controls the sound synthesis and spatialisation while moving on stage.

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Victorial Counts – A case study with electronic violin bow

By Knut Guettler (Norwegian Academy of Music), Hans Wilmers (Norwegian Centre for Technology, Acoustics, and Music (NOTAM)) & Victoria Johnson (Norwegian Academy of Music)

Abstract

This paper gives a glimpse into the ongoing process of equipping a violin bow (as well as the violin itself) with electronics adequate for real-time manipulation of the sound.

In this project there exist several sound sources:

  1. the violin sound, which is picked up by built-in microphones of the electric violin,
  2. a number of prerecorded everyday sounds to be cued in by the performer during performance, and
  3. several pre-recorded series of counting, where the performer’s voice is heard.

Controlled by bow gestures these different sounds are filtered through one or more Max/MSP patches followed by playback through a quadraphonic speaker system. From time to time permutations of objects between speakers, including the movement on stage by the performer herself, take place.

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Kyberia: Navigations

Label: SIMAX
Artist: Kyberia – duo with Victoria Johnson, violin and Tanja Orning, cello
Release: 1.1.2006


Navigations

Tracks

1 Odnupo
2 Helleristning 1 3 Dissensions
4 Mere-Coincidence Café
5 Navigo, for violin & cello
6 Liposculpture
7 Blow
8 Micromusic
9 Sarabanda Smorzata
10 Anstrøk
11 Framing time
12 Interface
13 Canonic Jingle
14 Two Of A Kind
15 Kyberiana
16 Crush
17 play learning sequenc

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Ametri String Quartet: Ametri

Label: Hemera/ AURORA
Artist: Ametri String Quartet
Release date: 25.9.2001


Ametri Quartet

Tracks:

1 Darey Tilih! Composed By – Jon Øivind Ness 5:40
2 Over Grind Composed By – Kaare Dyvik Husby 9:25
3 Fragmentarium II Composed By – Eivind Buene 2:13
4 Zyklus Composed By – Lene Grenager 14:2
5 Intermezzi Composed By – Sven Lyder Kahrs
5 5 Intermezzi I 1:44
6 5 Intermezzi II 0:46
7 5 Intermezzi III 1:26
8 5 Intermezzi IV 0:29
9 5 Intermezzi V 0:57
10 Aztec Snap Composed By – Jon Øivind Ness 8:13
11 Jester Composed By – Mark Adderley 11:34

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