Electric violin in Digital space – kritisk refleksjon (In Norwegian) – 2011 (pdf)
Kritisk refleksjon over kunstnerisk utviklingsarbeid. Stipendiatprogrammet for kunstnerisk utviklingsarbeid ved Norges musikkhøgskole, Oslo 2011
Prosjektet bestod av fire hovedemner, og hvert område har sine spesifikke problemstillinger:
- Utforskning av kunstnerisk potensiale i el‐fiolinen
- Kunstnerisk bruk av musikkteknologi, særlig arbeid med elektronisk lydbehandling og live styring
- Utvidelse av utøverrollen med vekt på medskapning
- Formidling og utvidelse av konsertformatet
Alexander Refsum Jensenius: Department of Musicology, University of Oslo & Victoria Johnson: Norwegian Academy of Music
We report on the development of a video based analysis system that controls concatenative sound synthesis and sound spatialisation in realtime during concerts. The system has been used in several performances, most recently Transformation for electric violin and live electronics, where the performer controls the sound synthesis and spatialisation while moving on stage.
Knut Guettler, Hans Wilmers & Victoria Johnson
This paper gives a glimpse into the ongoing process of equipping a violin bow (as well as the violin itself) with electronics adequate for real-time manipulation of the sound.
In this project there exist several sound sources: (1) the violin sound, which is picked up by built-in microphones of the electric violin, (2) a number of prerecorded everyday sounds to be cued in by the performer during performance, and (3) several pre-recorded series of counting, where the performer’s voice is heard.
Controlled by bow gestures these different sounds are filtered through one or more Max/MSP patches followed by playback through a quadraphonic speaker system. From time to time permutations of objects between speakers, including the movement on stage by the performer herself, take place.